Corey plays the Captain in Wozzeck on Saturday 11 November
Opera News has praised Corey Bix for his “clear sense of drama and self-possession, exhibiting sturdy, unwavering control, flinty resonance and confident high notes.” Bix is quickly becoming known for his stirring portrayals of dramatic tenor repertoire on both opera and concert stages across the globe. In the 2022/23 Season, Bix joins The Metropolitan Opera for their production of Der Rosenkavalier and brings his celebrated Bacchus to Arizona Opera in Ariadne auf Naxos. The 2021/22 Season saw him at Folks Operetta as Francois in Korngold’s rarely performed Die Kathrin, at Nashville Opera as Loge in Das Rheingold, and at San Francisco as Florestan (cover) in Fidelio.
Bix’s 2019/20 Season featured his role debut as Canio in I Pagliacci with El Paso Opera. In the 2018/19 Season, he made his role debut as Lohengrin with Opera Southwest, sang Judge Danforth in The Crucible with Opera Santa Barbara, the Kronprinz in Silent Night with Arizona Opera, covered the Hauptmann in Wozzeck at The Metropolitan Opera, sang the Hauptmann in Wozzeck and the Governor in Candide with Des Moines Metro Opera, and joined Opéra national de Paris for their production of Les Troyens.
Following Bix’s triumphant role debut as Énée in Les Troyens with San Francisco Opera, he returned to the company for Augustin Moser in Die Meistersinger von Nürnberg and for their production of Jenůfa. Bix has sung Bacchus in Ariadne auf Naxos with Washington National Opera, Vienna Volksoper, Fort Worth Opera, Badisches Staatstheater Karlsruhe, and The Glimmerglass Festival. Other notable engagements for Mr. Bix include Énée and Helenus in Les Troyens with Lyric Opera of Chicago; Max in Der Freischütz with Virginia Opera; his European debut and return to Greek National Opera as the Prince in Rusalka and the title role of Stravinsky’s Oedipus Rex; Erik in Der fliegende Holländer with Los Angeles Opera, Virginia Opera, Hungarian National Opera, and Arizona Opera; Kaiser in Die Frau ohne Schatten with Oper Graz; Walther in Die Meistersinger von Nürnberg with Theater Kiel; Flotow’s Alessandro Stradella with the Stadttheater Giesen; Heinrich in Tannhäuser. He has sung both Florestan in Fidelio and Lennie in Of Mice and Men with Utah Opera, Austin Opera and Tulsa Opera, Sir Edgar Aubry in Der Vampyr with New Orleans Opera, Aegisth in Elektra with Des Moines Metro Opera, and Alfred in Die Fledermaus with Anchorage Opera. He sang the First Senator and covered Albiano in Die Gezeichneten under the baton of James Conlon at Los Angeles Opera and sang Don Jose in Carmen with the Aspen Opera Theater with Julius Rudel conducting.
On the concert stage, Bix has joined the Centro Nacional de las Artes in Mexico City for Mahler’s Das Lied von der Erde, The Cleveland Symphony for their production of Daphne, the American Symphony Orchestra for Szymanowski’s Symphony No. 3, Pharaoh in Dessau’s Hagadah shel Pessach and as Phoebus de Chateuoers in Schmidt’s Notre Dame, the Cathedral Choral Society for Janáček’s Glagolitic Mass at the National Cathedral in Washington D.C., and Palm Beach Symphony for Mozart’s Requiem. He has sung excerpts of Die Meistersinger von Nürnberg with Bard Music Festival, excerpts from Die Walküre and Die Meistersinger von Nürnberg with the Wagner Society of Washington D.C., the 4th Jew in Salome with Yannick Nézet-Séguin and the Philadelphia Orchestra, and presented recitals for the George London Foundation, the Wagner Society of New York, and at his alma mater, Simpson College.
Corey Bix is the 2008 winner of the Robert Lauch Memorial Grant from the Wagner Society of New York and the 2007 winner of the George London/Kirsten Flagstad Award for a singer with potential for a Wagnerian career, as well as the foundation’s prestigious Vienna Prize. Additionally, he has won awards in the New England and Southeast regions of the Metropolitan Opera National Council Auditions. He is a former member of the apprentice programs of the Santa Fe Opera, Florida Grand Opera, Glimmerglass Opera, and Des Moines Metro Opera, and earned a Master of Music from New England Conservatory and his Bachelor of Music from Simpson College.